If you’re a beauty junkie, you know that navigating the world of makeup can be a pretty overwhelming experience. Whether you’re in the market for a new concealer, translucent powder, or setting spray, there seems to be a million options for each—who has time to test them all and find the very best one? Luckily, that’s what beauty pros are for.
Vogue reached out to five noteworthy influencers and makeup artists who are all gaining large followings for their stellar makeup looks. This includes Neon MUA and Robert Welsh—both of whom create colorful eyeshadow looks like no other—and Wayne Goss, who has nearly 4 million followers on YouTube. If you’re a Lil Nas X fan, you may also recognize Anthony H. Nguyen’s work: He serves as the rapper’s makeup artist, and has created many of his memorable red carpet and video looks (like this graphic liner for the “Montero” video). Meanwhile, Shantanu Dhope—whose Instagram tagline is “Brown Boys wear makeup too”—also creates eye-catching beauty looks that incorporate his Desi culture.
Welcome to Artist Spotlight #64 series on my blog.
Beyond simply creating enchanting looks, these pros are also proving makeup is truly for all—whether female, male, or nonbinary. Dhope, for instance, says he proudly wears makeup because, “I feel we do not have enough brown skin representation in the beauty industry, especially brown men wearing makeup. In India, a boy wearing makeup is still a very new concept, and a lot of people consider it to be a taboo.” Goss also specifically encourages men who are new to makeup to experiment and have fun with it. “When it comes to makeup, most men tend to want to enhance their looks without anyone knowing they’re wearing any,” says Goss. His tip to achieving the perfect beginner look? “Make sure you apply ‘little’ and avoid over-application. Less is more. And never be afraid of blush—healthy skin has some color to it.”
Below, read on for these five beauty artists’s top products for everyone to try.
Call me biased, but my collection of face palettes with Midas Cosmetics is something that everyone needs in their kit. These palettes are pigmented, buttery, and most importantly, they have the range. My focus with creating this collection was to make sure that everyone can have access to effective contours and bronzers, whether you are fair and need products that don’t run orange, or if you’re deeply rich and are tired of not having access to contours and bronzers that actually show up on your complexion.
This is a recent must-have for me. I love this powder because it is truly translucent. The All Nighter collection is known for being waterproof and locking in your makeup for hours, so being able to finally have a product that helps with sweat and shine that is also a true translucent powder is a gift from the makeup gods.
I will always love NARS foundations because they have such a wide range of shades and undertones, plus their formula is always top-tier. Out of all of the NARS foundations, this is the one that I always find myself reaching for, because it offers a nice amount of coverage without looking cakey, while also giving you the natural, healthy glow that everyone wants.
MannyMUA in my honest opinion has one of the most impressive influencer brands in beauty, because he’s not afraid to play with color and concepts. All of his palettes are truly impressive (especially his revamped Life’s A Drag Facelift palette), but if there’s one palette that I will also grab, it’s the Strawberry Dream palette. Reds and blues are some of the hardest colors to work with in terms of shadows, yet these shades are so pigmented and blend like a dream. Everyone needs this palette.
With the classic technique of soap brows becoming a more recent trend, and many brands releasing their version of brow grooming waxes, this is one of the only brow products I have found that draws smoothly and precisely over a waxy texture. After grooming brows into that fluffy look, this pen is also perfect to draw strokes of hair on the brows, without losing the overall look.
I find a lot of highlighters can look textured or obvious on the skin—either because they contain glitter, or because the shades are slightly off, with a metallic finish. This highlighter is the complete opposite. There are multiple different shades that complement skin tone, instead of the highlighter being just pink or gold for example. When applying this highlighter, you notice how it effortlessly blends, and almost becomes one with your skin. And because it’s buildable, you can start at a natural “glowing from within” to a more dramatic glow.
Beauty Bay has always been a go-to destination for me when looking to try new products and brands, as they offer everything from drugstore to high-end products. Their own brand’s eyeshadows, at drugstore prices, offer high-end quality. Every texture, matte, shimmer, and glitter are extremely pigmented and blend beautifully. They all have an almost creamy texture that is easy to build, and are a pleasure to use when creating a makeup look.
Patrick Ta Major Sculpt Crème Contour & Powder Bronzer Duo
One thing I get asked a lot is “what’s the difference between bronzer and contour?” These compacts are the perfect representation of what a bronzer and contour should be. The bronzing powder provides just the right amount of “sun-kissed” without being orange, and the cream contour shades create the perfect ‘bone structure-mimicking’ contour colour, which blends naturally into the skin. If you’ve had trouble finding your perfect contour shade before, or perhaps are intimidated by the idea of contouring, this product is the perfect place to start, and stick with.
I cannot leave my house without grooming my eyebrows. I just run this product quickly through my brows to give me a clean and fresh looking brow. It gives me the right amount of color without looking over done.
Welcome to Artist Spotlight #47 series on my blog.
This past week on Instagram, a few muses welcomed spring with colorful eyeshadows. Model Pooja Mor glistened under the sunlight, wearing turquoise eye shadow and a big smile, while model Chloe Yu had her lids saturated in blue and pink, thanks to makeup artist Michael Anthony (and the Pat McGrath Labs Subversive palette!). Then, embracing aquatic shades, “Versace Hottie” Precious Lee reported “for duty” in a cobalt blue shadow and Barbie Ferreira sported a blue smoky eye courtesy of Sam Visser.
More standout eye makeup came by way of Aweng Ade-Chuol, who graced feeds with artfully drawn black winged liner, full lashes, and bronzed cheeks, as well as Tracee Ellis Ross, who had thick, sooty swipes of eyeliner frame her upper and lower lash lines, with soft curls grazing her forehead.
Meeting the arrival of warm weather, Erykah Badu leaned into her light with a swipe of terra-cotta lipstick and the VanJess sisters were feeling peachy keen with blushy cheeks and pink manicures. Activist, writer, and cultural organizer Raquel Willis donned a red lip and sleek waves, and gave us all a much-needed reminder to let “the sunshine in.” As for Carly Cushnie? She ushered in International Women’s Day by celebrating the strong women around her. “I couldn’t be prouder to be a mother to my girls and [am] so grateful for everything they have taught and continue to teach me,” she wrote in a caption. “Thank you to all you incredible women out there. What an honor to be a woman.”
Though tough to recreate, the looks at Haider Ackermann’s otherworldly show were impossible to forget. It saw bleached brows and gravity-defying hair sculptures, courtesy of make-up artist Lynsey Alexander and hairstylist Duffy. Drama reigned at Rodarte, Anna Sui, Fendi and Roksanda, too, where lips were painted in gothic deep-plum hues. Lastly, at Moschino, the Marie Antoinette-inspired hair and make-up was more theatre than catwalk.
The foil to sleek, polished moments of glamour? Lived-in make-up. The look was led by Gucci and its entry into the make-up arena – Thomas de Kluyver, Gucci Beauty’s global make-up artist, mixed the label’s new mascara with water to create a smudged, tear-stained effect. This was co-ordinated with chipped nails – the height of high-school cool. Pucci and Max Mara also favoured worn-in eye make-up, with the models’ black liner and mascara looking as though they had slept in it and woken up just in time to stride down the catwalk. At Lanvin, the two-day-old, chunky-but-neat lashes took the edge off the otherwise sleek look. Do note, imperfect make-up isn’t as simple as it looks – utilising remnants of make-up from the day before might be an easier way to tap into the trend.
Let’s Go Retro
“Hitchcock heroines” and “18th-century-inspired hair” were just a couple of the beauty references uttered backstage at the autumn/winter 2020 shows. In Paris, at Miu Miu, hairstylist Guido Palau created styles in homage to the 1940s, using an “old-school way of achieving curls” that were shaped into waves and flipped to one side. There was a similar theme at Chloé, with Palau crafting everything from boyish updos to set waves. In London, at Erdem, Anthony Turner’s lacquered S-shaped finger waves were set low on the side of the head with a severe side parting, for a modern take on the look. Meanwhile, at Shrimps, hair recalled a young Diana, Princess of Wales. It’s retro, but now.
The Mane Event
With the creation of colourful roots (at last, a way to conceal grey regrowth in a joyous spirit) and the return of the ponytail, hair became the ultimate beauty accessory this season. Slicked-back looks populated the catwalk. At Erdem, Burberry, Christopher Kane and Givenchy, Guido Palau pulled hair into strict middle partings or combed and gelled it into place, leaving the hair to hang loose at the back. “I’ve complemented the amazing clothes with some soft hair textures,” he explained at Christopher Kane. Bright roots featured at Alexander McQueen and Balenciaga, where there was a nod to pop star Billie Eilish’s penchant for two-tone colour. Sam McKnight improvised with feathers to create the illusion of colour at Dries Van Noten. For a day-to-day hair trend, the humble ponytail took centre stage (see Carolina Herrera and Brock Collection) – perhaps the most mesmerising being McKnight’s half-up/half-down version, complete with a Chanel bow. Butter wouldn’t melt.
Winged eyeliner has had an overhaul. Yes, black remains a classic, but this season blues and metallics frequently featured, too. At Dior, Peter Philips, creative and image director of make-up, perfected a full-kohl look with thick outer-corner wings – it reminded us of Maria Grazia Chiuri’s own signature eyeliner, and was statement enough for the collection. Pat McGrath’s futuristic, cyber-esque take at Prada resulted in a block of metallic shadow that sat in and above the eye socket, extending out on either side, so as to expose a flash of molten colours. Whether you prefer a delicate flick, as seen at Missoni, or a more adventurous approach, such as Altuzarra’s, it was all about dressing the eyes for the runway.
The return of red lipstick has officially replaced the past few seasons’ run of natural hues, and it was paraded down the catwalks in a variety of textures, from matt to glossy to balm-like. At Carolina Herrera, make-up artist Lauren Parsons used the fashion house’s new lipsticks to reimagine “Spanish baroque beauty”. Punchy matt-red mouths were among the looks, with lips silhouetted in a crisp red outline on a canvas of clean skin. At Oscar de la Renta, Tom Pecheux was eager to turn the classic on its head: “It felt like the right time for red again, so we created a very precise lip that’s glossy,” he said (he went the extra mile and colour-matched the shade to a swatch of red fabric from the collection). Diane Kendal painted perfect rouge lips at Lanvin, Jason Wu and Proenza Schouler, and Pat McGrath returned to the red pout at Givenchy and Marc Jacobs, cementing the trend for the season.
As we dial back the chiselled contour in favour of a softer look, the runways inspired new ways of defining cheekbones. Subtle, flushed hues and bronze shading helped to create perfect skin. At Michael Kors, make-up artist Dick Page warmed cheeks with a creamy peach blush to give natural definition. At Tom Ford, the illusion of symmetry was created by playing with light and shade, and at Brandon Maxwell the make-up direction of “ultimately feminine” meant a blended cream to add warmth and highlight.
At Marni, there was extreme glitter application by Julien d’Ys, who painted over faces and hair. At Erdem, Lynsey Alexander created silver-foil strokes across the eye sockets to reflect the collection, entitled The Age of Silver. At Preen and Simone Rocha, broken-up textures in metallic colours abounded, while at Halpern, Giambattista Valli and Valentino, jewelled eye-halos and winged, crystal-encrusted crowns framed faces. It was a welcome touch of couture beauty creeping into the ready-to-wear runways.
ColourPop’s 9-pan palettes have taken the makeup world by storm; from monochromatic color stories to complementing colors that make great looks – they’ve got it all. At this point it’s safe to say there are over 20 of this style of palette made by ColourPop, with new releases every week!
Each collection has a cute pun-ny name and usually comes with blushes, highlighters, lip glosses, lipsticks, and even some of their FourthRayBeauty or SOLBody products.
The formula is incredible, and not just for the price. The shadows are pigmented, easily bendable, and last all day long on the eyes with the right eyeshadow primer. More than half of the palettes in this shape come with at least one pressed glitter, which may turn some makeup lovers away from the product.