12 Drugstore Beauty Steals That French Makeup Artists Love

Top four French makeup artists have spoken about high-quality, democratically priced future cult classics that they stock up on in U.S. drugstores. Here, 12 steals you should add to your beauty repertoire, with some of my tips along the way.

Batiste Original Dry Shampoo

“When you have bangs, dry shampoo is your best friend. I also use it to give my hair texture and help shape and style it. I love the mini travel size version.”

My tip: working early mornings and late evenings leaves me no desire to wash my hair as often as I’d wish, so, this bad boy has been my third-day staple for years! It comes in a variety of different scents and sizes, as well.

Buy at ULTA $9

NYX Jumbo Eye Pencil

“You can create a smoky eye on the go in just two minutes. I bought the entire shade range and pick one each day based on my mood.”

My tip: the shade MILK from this lineup is an industry staple white base, perfect for other shadows to pop on the lid or in the waterline. No-budge formula of this pencil has been around for years for a good reason.

Buy at Macy’s $5

Pixi Sun Mist

“I like a sun spray that you can apply over makeup. That way, all day long you’re protected and still look perfect.”

Buy at SkinStore $18

L’Oréal Paris Voluminous Original Mascara

“This mascara not only makes your lashes look longer and full, but lets you easily add more than one coat without clumping.”

My tip: this industry staple is one for a reason, with almost every brand out there trying to recreate their own version of a result that this mascara gives you. Volume, length, separation, longevity – it has it all. It also comes in a waterproof version, and a variety of fun shades!

Buy at ULTA $9

Ardell Individual Lashes

“These are perfect for opening up the eye in a very natural way, as they blend perfectly onto the lash line and are knot-free.”

My tip: I also like packs of individual lashes of different lengths, so I can customize them to each client.

Buy at ULTA $5

Sally Hansen Airbrush Leg Makeup

“This is amazing for leg flaunting! It will hide imperfections, like spider veins or bruises, dries quickly, and doesn’t transfer on clothes.”

My tip: fantastic to use at photoshoots or an event, fuss-free and easy to remove when you’re done with it.

Buy at Walmart $12

Wet n Wild Lip Pencil in Brandy Wine

“This pencil is one of my all time favorites and a great price. Shade ‘666’ is the perfect berry, as it can go from very natural to more dramatic.”

My tip: I really enjoy the formula of this pencil – very creamy but stays put in place, doesn’t dry out too fast, and you’re getting SO much product for your buck. I have all of the shades!

Buy at Walmart $4

Maybelline Great Lash Mascara

“This mascara is beloved by everyone in the business. A great intense black. It’s hypoallergenic, builds up well, and washes off very easily.”

My tip: use a clear version of this product as an eyebrow gel.

Buy at ULTA $7

L’Oréal Paris Colour Riche Le Matte Lip Pen

“I keep a few of these with me so I can use it on my clients and give it to them for touch ups or a night on the town. The formula is rich, velvety, and easy to apply, and the pen doesn’t need to be sharpened.”

My tip: if you can’t find this product in your local stores, I recommend Maybelline’s SuperStay Ink Crayon as an alternative.

Buy at Walmart $7

Eucerin Daily Hydration Lotion

“This lotion is paraben-free, doesn’t clog pores, and is great for very dry skin.”

My tip: this is fantastic for a makeup kit because it suits every skin type.

Buy at Target $9

Visine Redness Relief Original Eye Drops

“I use this to refresh eyes and remove the veins when we do film.”

My tip: a great product to soothe irritated eyes.

Buy on iHerb $6

Sudden Change Under-Eye Serum

“I mix this serum into foundation to get rid of bags. I place two drops into the palm of my hand, add one dot of foundation, blend with my finger, and smooth it from the inner to outer corner of the undereye area.”

My tip: for a quicker and better result, use this product by itself before makeup application. Perhaps along with a moisturizer, while you’re working on the eye makeup or brows.

Buy at Walmart $9

VOGUE article

Gwyneth Paltrow’s Makeup Artist Georgie Eisdell on Why She Swears By Clean Beauty Products

Aside from being some of the biggest stars in Hollywood, Gwyneth Paltrow, Sophie Turner, and Thandie Newton all have one major thing in common: makeup artist Georgie Eisdell.

Originally hailing from Australia, the now Los Angeles-based beauty expert is one of the most sought-after makeup artists in the industry, known for creating stunning looks for the red carpet, all while keeping her clients’ skin looking flawless.

Welcome to Artist Spotlight #23 series on my blog.

Her secret weapon? Clean beauty products.

“I threw myself into the world of clean beauty [when] one of my dearest friends was diagnosed with breast cancer about six years ago now,” Eisdell tells InStyle. “When she was preparing for treatment, I wanted to make sure she had everything she needed to keep her skin looking and feeling great and to have some options for her for when she wanted to wear makeup.”

Plus, working with Paltrow on a regular basis has given Eisdell the opportunity to do a deep dive into the science around clean formulations. “Being around the team at Goop has made me a lot more aware of what we can and should be looking at when it comes to beauty,” she says. “I have had quite the education and I am grateful for it.”

While there’s definitely a misconception that clean makeup doesn’t offer the same results as traditional formulas, Eisdell wants to make it clear that in this day and age, that notion is quite simply a load of crap.

The makeup artist says she notices little to no difference when it comes to color payoff, blendability, and coverage when she compares clean and traditional formulas, which is exactly why she feels confident using them on stars for red carpets (during the pre-COVID days), or on set.

And even though the FDA has yet to officially offer regulations around what is considered to be “clean,” Eisdell personally feels more comfortable using formulas from clean brands on both her clients, and herself.

Source: GOOP

“Your skin is the largest organ in your body, so for me, it is important to know I am using skincare that isn’t penetrating into my skin with endocrine disruptors,” she explains. “I try my best to avoid powders that contain talc, a cancer-causing mineral, and lipsticks and glosses that don’t have lead or other toxic heavy metals in it.”

@georgieeisdell on Instagram

“I love Goop’s Enriching Face Oil and Revitalizing Daily Moisturizer, and I am obsessed with the GoopGlow Microderm Instant Glow Exfoliator,” she gushes. “I also love to use brighter cheek colors on her. Jillian Dempsey’s Cheek and Lip Tints are my faves — I love Poppy or Scarlet. For mascara, I like to use Saie’s Mascara 101. With lips, I mix it up with brands like Beautycounter, Ilia, and Saie.”

INSTYLE article

Watermelon High

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Her Skin Is Beamin’

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Makeup Artist Raisa Flowers Presses Reset With 3 Bold, Futuristic Beauty Looks

“Everything I do, I’m predicting what the future will look like,” says Raisa Flowers. Throughout her career, the New York City makeup artist, club fixture, and model—she’s walked for shows like Gyspy Sport and Savage x Fenty—has been defying traditional beauty codes, challenging the industry’s status quo, and pushing for more Black representation in the editorial world. Amid the renewed urgency around the Black Lives Matter movement, she’s continuing to buck whitewashed beauty ideals and stretch the ordinary imagination with her ethereal cyborg aesthetic.

Welcome to Artist Spotlight #22 series on my blog.

Flowers’s latest muse, Chinese and Jamaican model Symone Lu, embodies the kind of off-kilter beauty that drives and inspires her aesthetic. “A lot of people wouldn’t understand [her look] because she has a missing tooth, but it is a part of her character,” explains Flowers. “I feel like it brings out her confidence in this way. It’s going against the traditional aspects of what it means to be beautiful, and I love that.” From slicking Lu’s lids and lips in vinyl jet-black paint to drawing on a set of high-arched, pencil-thin brows to play up an icy gaze, Flowers helps her transform into two different real-life characters to chameleonic effect.

Of course, Flowers, with her bleached brows, supernatural skin, and constellation of piercings, continues to be her own canvas, too. On any given day, her presentation can run the gamut from natural to hypernatural to out of this world. “Some days I want to be freaky and wear contacts and do a whole look,” she says of her mesmerizing mismatched gaze paired with a glossy, mocha brown-lined mouth.

“These looks are reflective of myself, and the people who I create with,” says Flowers, who works regularly with singer Kelela and Brooklyn rapper Junglepussy. Looking light years ahead, Flowers has dreamed up three high-impact makeup looks that capture the symbiotic relationship between unapologetic self-expression and out-there oddities. “It’s super alienesque,” says Flowers. “I feel like in the future, that’s how we’re going to look anyways.”

“Glossy…shiny…cool,” is how Flowers describes the graphic black and crimson color story that Lu wears. Beneath a curtain of razor-sharp micro-fringe, Lu’s lids are painted with thick, out-to-there wings and punctuated by scarlet slashes along the brow bones. An onyx lip, blurred away at the sides, finishes the job.

The ultimate mutant hero muse? That would be Storm from X-Men. “She’s a character I relate to with her strength and how powerful she is,” explains Flowers, who helps Lu channel the Marvel character with ultra-thin brows ( “I love the skinny brow look because it reminds me of my mom,” she says), an icy blue cut-crease, white-out contacts, and overlined lips. “I wanted to play off the bouffant with the crazy makeup because I feel in the future, this is how housewives will look,” says Flowers.


“I wanted it to look super mismatchy,” says Flowers of her exaggerated, intentionally clashing cat eyes; one wing saturated in chalky white with a silver-blue contact, and the other a petrol blue with a dark, pupil-enlarging lens. “With most of my work, I’ll do something really intense [on the eyes], and then something more minimal on the lip,” says Flowers, adding harmony with a neutral yet striking nude lacquered lip traced with brown lip liner.


Photographer & Director: Elizabeth “Eli” Wirija
Makeup: Raisa Flowers
Hair: Latisha Chong; Manicure: Dawn Sterling
Producer: Tristan Rodriguez
DP/Lighting Tech: Codie Monowi
Photo Assistant: Makeda Sandford
3D Designer: Nathalie Nguyen

VOGUE article

Line It Up

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G-L-A-M-O-R-OUS-Yes

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Glossy Posse-y

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8 Playful AW20 Beauty Trends To Road Test

High Drama

Though tough to recreate, the looks at Haider Ackermann’s otherworldly show were impossible to forget. It saw bleached brows and gravity-defying hair sculptures, courtesy of make-up artist Lynsey Alexander and hairstylist Duffy. Drama reigned at Rodarte, Anna Sui, Fendi and Roksanda, too, where lips were painted in gothic deep-plum hues. Lastly, at Moschino, the Marie Antoinette-inspired hair and make-up was more theatre than catwalk.

Beautifully Flawed

The foil to sleek, polished moments of glamour? Lived-in make-up. The look was led by Gucci and its entry into the make-up arena – Thomas de Kluyver, Gucci Beauty’s global make-up artist, mixed the label’s new mascara with water to create a smudged, tear-stained effect. This was co-ordinated with chipped nails – the height of high-school cool. Pucci and Max Mara also favoured worn-in eye make-up, with the models’ black liner and mascara looking as though they had slept in it and woken up just in time to stride down the catwalk. At Lanvin, the two-day-old, chunky-but-neat lashes took the edge off the otherwise sleek look. Do note, imperfect make-up isn’t as simple as it looks – utilising remnants of make-up from the day before might be an easier way to tap into the trend.

Let’s Go Retro

“Hitchcock heroines” and “18th-century-inspired hair” were just a couple of the beauty references uttered backstage at the autumn/winter 2020 shows. In Paris, at Miu Miu, hairstylist Guido Palau created styles in homage to the 1940s, using an “old-school way of achieving curls” that were shaped into waves and flipped to one side. There was a similar theme at Chloé, with Palau crafting everything from boyish updos to set waves. In London, at Erdem, Anthony Turner’s lacquered S-shaped finger waves were set low on the side of the head with a severe side parting, for a modern take on the look. Meanwhile, at Shrimps, hair recalled a young Diana, Princess of Wales. It’s retro, but now.

The Mane Event

With the creation of colourful roots (at last, a way to conceal grey regrowth in a joyous spirit) and the return of the ponytail, hair became the ultimate beauty accessory this season. Slicked-back looks populated the catwalk. At Erdem, Burberry, Christopher Kane and Givenchy, Guido Palau pulled hair into strict middle partings or combed and gelled it into place, leaving the hair to hang loose at the back. “I’ve complemented the amazing clothes with some soft hair textures,” he explained at Christopher Kane. Bright roots featured at Alexander McQueen and Balenciaga, where there was a nod to pop star Billie Eilish’s penchant for two-tone colour. Sam McKnight improvised with feathers to create the illusion of colour at Dries Van Noten. For a day-to-day hair trend, the humble ponytail took centre stage (see Carolina Herrera and Brock Collection) – perhaps the most mesmerising being McKnight’s half-up/half-down version, complete with a Chanel bow. Butter wouldn’t melt.

Winging It

Winged eyeliner has had an overhaul. Yes, black remains a classic, but this season blues and metallics frequently featured, too. At Dior, Peter Philips, creative and image director of make-up, perfected a full-kohl look with thick outer-corner wings – it reminded us of Maria Grazia Chiuri’s own signature eyeliner, and was statement enough for the collection. Pat McGrath’s futuristic, cyber-esque take at Prada resulted in a block of metallic shadow that sat in and above the eye socket, extending out on either side, so as to expose a flash of molten colours. Whether you prefer a delicate flick, as seen at Missoni, or a more adventurous approach, such as Altuzarra’s, it was all about dressing the eyes for the runway.

Get Reddy

The return of red lipstick has officially replaced the past few seasons’ run of natural hues, and it was paraded down the catwalks in a variety of textures, from matt to glossy to balm-like. At Carolina Herrera, make-up artist Lauren Parsons used the fashion house’s new lipsticks to reimagine “Spanish baroque beauty”. Punchy matt-red mouths were among the looks, with lips silhouetted in a crisp red outline on a canvas of clean skin. At Oscar de la Renta, Tom Pecheux was eager to turn the classic on its head: “It felt like the right time for red again, so we created a very precise lip that’s glossy,” he said (he went the extra mile and colour-matched the shade to a swatch of red fabric from the collection). Diane Kendal painted perfect rouge lips at Lanvin, Jason Wu and Proenza Schouler, and Pat McGrath returned to the red pout at Givenchy and Marc Jacobs, cementing the trend for the season.

Clever Contour

As we dial back the chiselled contour in favour of a softer look, the runways inspired new ways of defining cheekbones. Subtle, flushed hues and bronze shading helped to create perfect skin. At Michael Kors, make-up artist Dick Page warmed cheeks with a creamy peach blush to give natural definition. At Tom Ford, the illusion of symmetry was created by playing with light and shade, and at Brandon Maxwell the make-up direction of “ultimately feminine” meant a blended cream to add warmth and highlight.

Heavy Metals

At Marni, there was extreme glitter application by Julien d’Ys, who painted over faces and hair. At Erdem, Lynsey Alexander created silver-foil strokes across the eye sockets to reflect the collection, entitled The Age of Silver. At Preen and Simone Rocha, broken-up textures in metallic colours abounded, while at Halpern, Giambattista Valli and Valentino, jewelled eye-halos and winged, crystal-encrusted crowns framed faces. It was a welcome touch of couture beauty creeping into the ready-to-wear runways.

VOGUE article

5 Easy Steps To The Prettiest English Rose Make-Up Look

Wind-flushed cheeks; flawless skin; and just-bitten lips: all hallmarks of the “English Rose”, the term used to describe a delicate kind of beauty long regarded as classically English. The likes of Keira Knightley, Kate Winslet, Ella Balinska, Emma Watson and now, newcomer Emma Corrin – who appears on British Vogue’s October cover as her The Crown character Princess Diana (another famous English Rose) – all share a certain innocent appeal.

“The quintessential English Rose look comprises berry-stained plump lips, ruddy, flushed cheeks and a dewy, invisibly-perfect complexion,” says make-up artist Neil Young. “The complexion should feel real and translucent, so as to reveal all the natural undertones of the skin.” Here, Young shares exactly how to achieve the look for yourself with the assistance of some cleverly applied make-up.

Keep skin fresh

To create a luminous and dewy effect, Young loves a tinted moisturiser or lightweight foundation that will allow the skin’s natural undertones to shine through. “This allows you to further enhance what’s already there with your subsequent products,” he says. Try IT Cosmetics Your Skin But Better Foundation for a radiant second skin finish; Chanel Les Beiges Healthy Glow Foundation, which does exactly what it says on the tin; or Smashbox’s Halo Healthy Glow All-In-One Tinted Moisturiser, another lightweight wonder.

Find your colour

To create a harmonious balance of colour on the face, Young recommends using a multi-use lip and cheek product. “Creams and gels lend themselves to this look as they melt into the skin, creating a believable pink undertone to the lip and cheek – think royal flush and berry-bitten lips. Deeper complexions should opt for darker red and fuchsia tones,” he says. Look to Bobbi Brown’s Pot Rouge creams – there’s a shade for everyone – or Westman Atelier’s Baby Cheeks Blush Sticks for an ultra-natural, dewy finish.

Use your fingers

To create that natural, just-been-outside flush, use your fingers to apply your blush. “It pushes the cream formula into the apples of the cheeks, which makes it look like the colour is radiating through the skin, rather than floating on top like a powder blusher,” explains Young. “If your complexion is combination to oily, then a powder blush [like Hourglass’s Ambient Lighting Blush] with light-reflecting particles will achieve the same effect.”

Where to apply

The aim is to make your flush look totally natural, as if it hasn’t been applied, so mimic where you would naturally redden: “Apply to the apples of the cheeks and pull down towards the jawline for a flushed appearance,” advises Young. “If you’re using a powder, sweep across the apples of cheeks and pull the brush down towards the jawline to create a ruddy effect.”

A light touch on the lips

For a lip colour that looks natural but won’t budge, try a lip stain. YSL’s new Rouge Pur Couture Vernis À Lèvres Water Glossy Lip Stain leaves lips looking plump and reddened and, crucially, stays put; Anastasia Beverly Hills’ Lip Stains are another great option. You can also apply them to cheeks for a lit-from-within blush.

VOGUE article