For thousands of years, red lipstick has acted as a powerful tool.
The vibrant, look-at-me shade coats the lips with the weight and fortitude of a strong piece of armor. Its packaging is just as intense. Not only is it encased in a sleek, slender tube the size of a pocket knife, but it swivels with the utmost precision like a Samurai slowly drawing their sword to reveal the weapon inside.
“Red lipstick makes a statement without having to actually say anything,” KVD Beauty Global Veritas Artistry Ambassador Anthony Nguyen told E! News. “It’s a stand-out color that’s strong, sexy, bold, and exudes confidence.”
Out of all the makeup staples—mascara, eyeliner, blush and powders—nothing has stood the test of time quite like red lips. The intoxicating hue is so timeless Lady Gaga’s go-to makeup artist and Haus Labs Global Artistry Director Sarah Tanno perfectly summed up its allure, calling it, “the little black dress of makeup.“
If anything, it’s become an icon in its own right.
“I always signify red lipstick with something of great importance,” Tanno added. “You want to say something when you put on your favorite red lip.“
Tanno couldn’t be more spot on.
Suffragettes armored themselves with the striking color as they fought for the right to vote. In 1912, beauty pioneer Elizabeth Arden handed them the bullets—tiny, but mighty tubes of red lipstick that were shaped like ammunition.
The bold move symbolized strength, independence and defiance all in one.
“It wasn’t worn by everybody at that point,” Bésame Cosmetics founder and author of Classic Beauty: The History of MakeupGabriela Hernandez told E!. “They were trying to say, ‘Hey, we’re independent, and we’re different and we wear whatever we want.‘”
The wild audacity of the suffragists showcased the ferocity of red lipstick, so much so that it became essential during World War II. At the time, beauty brands halted the production of its products, including lipstick, in order to use all of its materials for the war.
“At first, they cut it out,” Hernandez noted. “But then they saw morale really slip—not only their morale but the morale of the soldiers who wanted pretty girls to come back to.”
Once again, Elizabeth Arden was linked to a historical moment. To help lift their spirits, she created a fire-engine shade called Montezuma Red—an homage to the Marine Corps’ hymn—and was given the exclusive right to sell makeup on military bases.
“That color was marketed to women as a morale booster,” Hernandez explained. “You didn’t have pantyhose available. You didn’t have a lot of fabric. The only thing that stuck around were lipsticks.“
Red lipstick’s popularity also skyrocketed due to Hollywood. Long before influencers hyped up (yet another) champagne-colored highlighter or life-changing eye cream, actresses like Claudette Colbert, Lana Turner and Rita Hayworth were the first to promote cosmetics.
Although women had emulated silent era movie stars in the Jazz Age—cutting their hair into boyish bobs and rimming their eyes with heavy kohl liners—Technicolor, which exploded in the late 1930s, truly revolutionized the industry.
Now that women could see the makeup the actresses painted themselves with—like the bright cherry stain left behind after passionately kissing their co-star—they clamored to look like them.
“Reds were the shades that most actresses wore because it photographed well,” Hernandez pointed out, “And it was very definitive. You could see the lips.”
Back then, Hernandez said, actresses were assigned specific reds depending on the characters they were typecast as. In other words, Judy Garland mostly played girl-next-door roles, so she frequently wore soft and sweet rosy hues.
A dark, vampy color was saved for the seductive types. As makeup artist Nick Barose, who works with Lupita Nyong’o, Winona Ryder and Gugu Mbatha Raw, told E!, “It’s the color of blood, so when you wear it on your mouth, it adds a sense of femme fatale glamour.”
While the business model has evolved over time, it’s still a practice used today. Think of Euphoria‘s lead makeup artist, Donni Davy, who partnered with the creators of the hit HBO show and studio A24 to launch Half Magic Beauty.
Euphoria reignited people’s burning desire to experiment with makeup and Davy has supplied them with the tools they need to transform themselves. In the same way Davy maps out a character’s look to drive the story, her products are made with intention.
“I named my classic red shade Self Help because I wanted it to embody that pick-me-up kind of dopamine effect that a red lipstick can have,” Davy told E!. “It gives self-respect.”
All in all, red lipstick is here to stay. As Barose so adequately put it, “The trends might change, but the very idea of red lips will always be timeless.”
Hernandez added, “Women will continue to wear red lipstick because it’s a defining feature on the face.”
In beauty, there is no category more timeless—or quintessential—than lipstick. As an enduring symbol of power and femininity, the transformative swipe of classic lipstick is never to be underestimated. Over the decades, brands have met perennial demand with a dizzying menagerie of offerings, leaving no color, undertone, or finish unturned. But despite the scale of options, there are those strikingly universal shades that women keep coming back to. From true reds to nuanced nudes, here, a dozen classic lipstick shades with that certain something loyal masses can’t get enough of.
Revlon Super Lustrous Lipstick in Fire & Ice
In 1952, Revlon launched its Fire & Ice ad campaign, starring Vogue cover girl Dorian Leigh, and caused a stir with its kitschy quiz supplement designed to decide if one was, in fact, suited to this tried-and-true bold red.
It was in 1991 that makeup legend Bobbi Brown’s debut line of lipsticks hit the Bergdorf Goodman counters. Of all the shades, her Lip Color in pink-tinged Brown caused the biggest sensation, helping to usher in the ’90s nude lip look still being referenced today.
INTRODUCING The Confession Ultra Slim High Intensity Refillable Lipstick in Red 0 by Hourglass Cosmetics.
No carmine, no harm. Finally, a brand with enough resources took it upon themselves to find an alternative to regular red lipstick formulations that typically involve carmine (an insect).
(Hourglass Cosmetics has yet to address and improve on their shade range in ALL other products, but this accomplishment deserves a moment in the spotlight, in my opinion.)
100% vegan lipstick that delivers saturated, long-wearing color with a satin finish.
Special-edition shade uses their innovative ingredient, Red 0, to deliver a saturated, true red hue with animal-friendly pigments that do not compromise performance, in an exclusive red applicator adorned with a beetle ($40).
Hourglass Cosmetics issued the following statement:
“Experience Confession Red 0: a special-edition shade that uses our patent-pending vegan replacement for carmine to deliver a saturated, true red hue that does not compromise performance. With its creamy, saturated formula and vibrant hue, Red 0 reflects Hourglass’ belief that makeup can be both high performance and cruelty-free.”
How will this sell? How will this change the market? Only time will tell.
Looking at the makeup on the models walking the autumn/winter runways, you could have been forgiven for thinking that you were seeing a show from the wrong season. Pops of blue, flashes of orange and pink, dustings of yellow, green and lilac… the painterly palettes chosen by makeup artists backstage at shows such as Dries Van Noten, Gucci, Maison Margiela and Missoni were decidedly springlike. And so, too, was their application, which was as important as the spectrum of colour itself. Sheer watercolour washes gave the look a very accessible appeal.
“Transparency automatically makes colour more beautifying on the face,” explains Terry Barber, director of makeup artistry for MAC Cosmetics. “It takes away the fear of looking garish or retro, and it’s those fresh, plump washes of colour that allow you to be more playful.” Be it a halo around the eye, a new or unusual experimentation in lip colour, or a gentle tonal clash on both eyes and lips, using products in this way gives an end result that is much softer – and this is, according to Barber, the easiest and most flattering in-road to exploring technicolour choices. “Veils of colour that bring out the features rather than enclose them are the unsung heroes of makeup,” he says.
So what to make of this more romantic approach? “It’s a good time to break the seasonal rules and not resort to the classic earthiness of autumnal beauty,” says Barber. “Instead celebrate the colours of optimism and freshness. Can we say spring/summer is the new autumn/winter?” It’s a resounding yes.
What’s left to say about the year 2020 that hasn’t already been said? These past 12 months may have tested humanity and the planet and every institution on it in ways most of us could never have fathomed — but even in the bad, weird, living nightmare times, the beauty industry did not quit.
Despite the odds, the economic downturns, the flailing retail structure, the unstable political climate, the sheer number of times the word “unprecedented” was uttered, beauty charged on. After all, there were game-changing formulas, groundbreaking technology and conversation-shifting campaigns to bring to market.
And so, as we look back at 2020 (and slowly but surely claw our way out of it), industry experts — ranging from dermatologists to Insta-famous makeup artists to beauty editors — identified some of the most noteworthy beauty launches of the year.
It was a big year for celebrity beauty, and a handful of star-backed brands had an impressive showing on this list, with multiple experts highlighting their superiority or buzz-worthiness amidst a sea of so many other celebrity lines. Skin care also reigned supreme, particularly as so many of us spent a record-breaking amount of time at home, staring at our own faces during Zoom calls. And perhaps most promisingly, brands that emphasized inclusivity — by serving marginalized and too-often underserved communities, by bringing all genders into the beauty conversation, by broadening the definition of what “good” skin can look like — were a welcome addition to 2020.
“Biden Beauty is an initiative that was near and dear to my heart because Very Good Light was behind it. It was a small idea that became a reality and was really amazing to see it thrive. We wanted to support the 2020 elections — arguably the most important of our lifetimes — and engage Gen Z and the beauty community to vote for Joe Biden and Kamala Harris. To do this, we [sold] a beauty sponge by the name of the Biden Beat from a beauty brand called Biden Beauty. We ended up selling one sponge every 60 seconds and it was probably the most meaningful initiative I’ve been a part of.” —David Yi, Founder and CEO, Very Good Light
“We don’t include men enough in conversations on skin care. Although Humanrace was created for all genders, [it’s] exciting to have a man at the forefront of the push to normalize skin care beyond just facial hair grooming. I love that the brand is guided by the expert input of his dermatologist with carefully selected science backed ingredients and prioritizes exfoliation and hydration as part of its simple three step routine.” —Dr. Adeline Kikam, Board-certified Dermatologist and Founder, @BrownSkinDerm
“[I] particularly [like] the Humidifying Cream. I wasn’t expecting to be floored by this product, but it’s honestly one of the best moisturizers I’ve ever used. I think we’re all a little burnt out when it comes to celebrity beauty launches — especially this year — but it seems like Pharrell actually put a lot of time and care into this one. He was thoughtful with his collection, from adding braille to the packaging to working with the brilliant Dr. Elena Jones to create simple and clean, but effective formulations, and I definitely appreciate it.” —Kayla Greaves, Senior Beauty Editor, InStyle
“Many men are not as passionate about skin care as they should be. And [Pharrell] is Benjamin Button! He’s pushing 50 and looks arguably 20-30 years younger. It’s about time he shares his secret to the fountain of youth.” —Ron Robinson, cosmetic chemist and Founder, BeautyStat
“Humanrace was a late entry this year, but made a lot of noise upon release. Although it’s a small launch it has the potential to attract a whole new audience to the skincare industry. It’s exciting to see.” — Saleam T. Singleton, men’s beauty advocate and contributing writer for Byrdie and AskMen
“I think Pharrell Williams’ Humanrace debut was incredibly successful and highly anticipated. The man is practically a vampire and for years we’ve been dying to know (beyond the fact he has melanin on his side) how he continues to look like he’s in his 20s. Not only is it a simple system of just three products, but it’s also eco-friendly. Wins all around!” —Julee Wilson, Beauty Director, Cosmopolitan
TATCHA THE SERUM STICK
“I’m already a loyal fan of the entire dewy skin collection, but the stick is like Chapstick for the face and perfect for the random seasonal dry spots. I also use it as a highlighter in makeup applications when I’m looking for a shine without any pearl. Being a hands-free application and a multitasking product, it feels like a true hero of the year.” — Shayna Goldberg, makeup artist and consultant at The Wall Group
KOSAS REVEALER CONCEALER
“This concealer-meets-eye-cream has enough coverage to work on the toughest spots, but is flexible enough that the 16 shades work for every one of my clients all wrapped up in a dreamy formula.” —Tony Tulve, freelance makeup artist
“Patrick Starrr’s One/Size truly brought some new, better and different to the market. Yes, it was makeup, but it was gender-neutral makeup and represented a new breed of founder at Sephora. Patrick is unabashedly himself and wants others to be as well, which is so needed in an industry that’s striving to be inclusive but not quite there.” —Priya Rao, Executive Editor, Glossy and host, “Glossy Beauty” and “Unfair” podcasts
“It seemed like the world stopped when Rihanna came out with her skin-care line. Everyone either had already tried it, wanted to try it or was watching YouTube videos of people trying and reviewing it. It’s so revolutionary for the simple fact that it’s Rihanna, a well-known Black woman, showing that you can [create a] business that feels true to you.” —Ali, beauty model, creator and makeup artist at @SweetMutuals
“I haven’t tried any of the products myself, but many of the reviews I’ve seen have been more lukewarm than I would have expected. Much of the trepidation from the online skin-care community came from the use of fragrance in the Fenty Skin products. This product launch ignited a wide-ranging debate about the function of fragrance in skin care and whether the fears surrounding it are warranted. While most consumers probably have no idea about the debate around fragrance, I think there are a few lessons to be learned here: First, skin-care hobbyists can be extremely discerning, and not even someone as universally adored as Rihanna may not be immune to their criticism. Second, for the many celebrity skin-care launches that followed it (we’ve already seen entries from Pharrell and Jennifer Lopez this year), we can expect even more criticism as these people are seen as outsiders with little experience by the industry.” — Dr. Angelo Landriscina, board-certified ermatologist in New York City, @DermAngelo
“Fenty Skin broke barriers when it came to promoting sun protection for darker skin tones. The brand messaging is very inclusive, showing that skin care is for everyone.” —Tiara Willis, esthetician and influencer, @MakeupforWomenofColor
“Fenty Skin was for sure the most talked-about, most debated, most anticipated launch of the year, mainly because of innovation (Fat Water and the idea of the toner essence), effectively speaking to young, Black consumers about the importance of SPF and because of ingredient discussions on witch hazel and fragrance.” —Dr. Ranella Hirsch, Board-certified dermatologist in Boston
“[Selena Gomez] entered the already crowded celebrity-with-a-beauty-brand space, but gave it purpose in 2020. It’s so refreshing to have a brand centered around giving back to the community Gomez herself is part of with the Rare Impact Fund. Everyone at Elle has been obsessed with the products to the point where we won’t shut up about them. To more inclusive and transparent brands with a mental health impact in 2021!” —Chloe Hall, Beauty Director, Elle.com
“Rare Beauty was the most exciting launch for me, mostly because it felt genuine. Celebrity brands will always make headlines, but not all launches are up to snuff. But the team managed to carve out a unique space for themselves while creating a great lineup of staple products. It was a cohesive launch with purpose. I respect the brand for creating the Rare Impact Fund, which promises to donate $100M over the course of 10 years, starting with 1% from Rare’s first year of sales. As someone who’s often pitched new brands and products on a daily basis, it’s important for me to see that this celebrity-faced brand has a long-term vision.” —Kirbie Johnson, content creator and Co-host, “Gloss Angeles” podcast
“When Selena launched Rare Beauty, it was clear that she really took her time to build this brand. The product formulations are innovative (that Lip Soufflé is so good!), the packaging is gorgeous and most impressive was Rare Beauty’s commitment to being a mission-driven brand. While I’m hoping fewer celebrities feel the need to launch their own beauty brands in the future, I do hope that those who do take note from Selena.” —Sara Tan, beauty editor and Co-host, “Gloss Angeles” podcast
SUPREME X PAT MCGRATH LIPSTICK
“This was Supreme’s first foray into makeup in its 26-year history, and the Pat McGrath Labs brand was the perfect co-conspirator. Streetwear is supposed to be about breaking the rules and foraging new paths; McGrath has done both her entire career. I think there are a lot of lessons the beauty world can learn from the streetwear space from both a marketing and storytelling perspective, and visa versa. So much so, I once wrote about it earlier this year. I’m interested to see how else these worlds may dance together.” —Darian Harvin, Beauty Reporter, Beauty IRL
TATCHA THE LIQUID SILK CANVAS PRIMER
“I’m always looking for products that can retain longevity and stretch makeup to new boundaries through intense color payoff or innovative formulas. Tatcha’s launch of Liquid Silk Canvas Primer in the spring of 2020 was the [brand’s] first bridge product integrating innovative skin-care ingredients into makeup. This product became the makeup magnet of the year locking down whatever you put on top of it.” —Daniel Martin, makeup artist and global director of artistry and education at Tatcha
MAKEUP BY MARIO
I had to personally add it to this list, how could I not? One of the most world-renowned and looked-up-to makeup artists came out with his own makeup brand exclusively at Sephora in 2020. The brand’s mission statement is:
“Created by Master Makeup Artist Mario Dedivanovic, MAKEUP BY MARIO features pro formulas and tools in the most universal shades and easy-to-use textures. Infused with Mario’s philosophies and techniques, each product is crafted to provide an effortless makeup experience and inspired artistry.”
Though tough to recreate, the looks at Haider Ackermann’s otherworldly show were impossible to forget. It saw bleached brows and gravity-defying hair sculptures, courtesy of make-up artist Lynsey Alexander and hairstylist Duffy. Drama reigned at Rodarte, Anna Sui, Fendi and Roksanda, too, where lips were painted in gothic deep-plum hues. Lastly, at Moschino, the Marie Antoinette-inspired hair and make-up was more theatre than catwalk.
The foil to sleek, polished moments of glamour? Lived-in make-up. The look was led by Gucci and its entry into the make-up arena – Thomas de Kluyver, Gucci Beauty’s global make-up artist, mixed the label’s new mascara with water to create a smudged, tear-stained effect. This was co-ordinated with chipped nails – the height of high-school cool. Pucci and Max Mara also favoured worn-in eye make-up, with the models’ black liner and mascara looking as though they had slept in it and woken up just in time to stride down the catwalk. At Lanvin, the two-day-old, chunky-but-neat lashes took the edge off the otherwise sleek look. Do note, imperfect make-up isn’t as simple as it looks – utilising remnants of make-up from the day before might be an easier way to tap into the trend.
Let’s Go Retro
“Hitchcock heroines” and “18th-century-inspired hair” were just a couple of the beauty references uttered backstage at the autumn/winter 2020 shows. In Paris, at Miu Miu, hairstylist Guido Palau created styles in homage to the 1940s, using an “old-school way of achieving curls” that were shaped into waves and flipped to one side. There was a similar theme at Chloé, with Palau crafting everything from boyish updos to set waves. In London, at Erdem, Anthony Turner’s lacquered S-shaped finger waves were set low on the side of the head with a severe side parting, for a modern take on the look. Meanwhile, at Shrimps, hair recalled a young Diana, Princess of Wales. It’s retro, but now.
The Mane Event
With the creation of colourful roots (at last, a way to conceal grey regrowth in a joyous spirit) and the return of the ponytail, hair became the ultimate beauty accessory this season. Slicked-back looks populated the catwalk. At Erdem, Burberry, Christopher Kane and Givenchy, Guido Palau pulled hair into strict middle partings or combed and gelled it into place, leaving the hair to hang loose at the back. “I’ve complemented the amazing clothes with some soft hair textures,” he explained at Christopher Kane. Bright roots featured at Alexander McQueen and Balenciaga, where there was a nod to pop star Billie Eilish’s penchant for two-tone colour. Sam McKnight improvised with feathers to create the illusion of colour at Dries Van Noten. For a day-to-day hair trend, the humble ponytail took centre stage (see Carolina Herrera and Brock Collection) – perhaps the most mesmerising being McKnight’s half-up/half-down version, complete with a Chanel bow. Butter wouldn’t melt.
Winged eyeliner has had an overhaul. Yes, black remains a classic, but this season blues and metallics frequently featured, too. At Dior, Peter Philips, creative and image director of make-up, perfected a full-kohl look with thick outer-corner wings – it reminded us of Maria Grazia Chiuri’s own signature eyeliner, and was statement enough for the collection. Pat McGrath’s futuristic, cyber-esque take at Prada resulted in a block of metallic shadow that sat in and above the eye socket, extending out on either side, so as to expose a flash of molten colours. Whether you prefer a delicate flick, as seen at Missoni, or a more adventurous approach, such as Altuzarra’s, it was all about dressing the eyes for the runway.
The return of red lipstick has officially replaced the past few seasons’ run of natural hues, and it was paraded down the catwalks in a variety of textures, from matt to glossy to balm-like. At Carolina Herrera, make-up artist Lauren Parsons used the fashion house’s new lipsticks to reimagine “Spanish baroque beauty”. Punchy matt-red mouths were among the looks, with lips silhouetted in a crisp red outline on a canvas of clean skin. At Oscar de la Renta, Tom Pecheux was eager to turn the classic on its head: “It felt like the right time for red again, so we created a very precise lip that’s glossy,” he said (he went the extra mile and colour-matched the shade to a swatch of red fabric from the collection). Diane Kendal painted perfect rouge lips at Lanvin, Jason Wu and Proenza Schouler, and Pat McGrath returned to the red pout at Givenchy and Marc Jacobs, cementing the trend for the season.
As we dial back the chiselled contour in favour of a softer look, the runways inspired new ways of defining cheekbones. Subtle, flushed hues and bronze shading helped to create perfect skin. At Michael Kors, make-up artist Dick Page warmed cheeks with a creamy peach blush to give natural definition. At Tom Ford, the illusion of symmetry was created by playing with light and shade, and at Brandon Maxwell the make-up direction of “ultimately feminine” meant a blended cream to add warmth and highlight.
At Marni, there was extreme glitter application by Julien d’Ys, who painted over faces and hair. At Erdem, Lynsey Alexander created silver-foil strokes across the eye sockets to reflect the collection, entitled The Age of Silver. At Preen and Simone Rocha, broken-up textures in metallic colours abounded, while at Halpern, Giambattista Valli and Valentino, jewelled eye-halos and winged, crystal-encrusted crowns framed faces. It was a welcome touch of couture beauty creeping into the ready-to-wear runways.
“Because E.L.F.’s makeup and skin-care offerings are incredibly affordable and effective, wanting to fill up your cart with everything the beauty brand has to offer is a little too tempting. (We’ve all be there.) Add in the fact that you can pick up the products at your local Target, Old Navy, and drugstores, and you’ll start wondering if E.L.F. wants you to directly deposit your paycheck into its account.“
“We rounded up some tried-and-true product picks from Allure editors to make shopping E.L.F.’s vast beauty selection a little easier, more efficient, and kinder to your wallet. You’re welcome. Many of our recommendations even have a Best of Beauty Awards and Readers’ Choice Awards to their names, like best eye shadow brush and best lipstick, so you know they’re going to be amazing additions to your beauty routine. Keep scrolling to see which highlighter, eye shadow palette, and skin-care products we swear by.”
E.L.F. Luminous Poreless Putty Primer
Unlike the original version, which has a slightly mattifying effect, E.L.F.’s Luminous Poreless Putty Primer leaves the skin with a subtle dewy finish whether you choose to wear it alone or under makeup. So if you want to minimize the appearance of your pores and get a radiant glow, look no further than this primer.
If you’ve never experienced the wonders of a peeling gel, allow this Best of Beauty winner to be your introduction. Straight out of the pump, it looks like a clear gel. However, when you start rubbing it onto skin, it turns into little balls. Why? The Gentle Peeling Exfoliant picks up the dead skin cells and other grime on your face and rolls it up like eraser dust. It’s incredibly satisfying and leaves skin smooth and radiant.
The Best of Beauty-winning Cream Contour Palette contains four different matte creams — a trio of bronzes (taupe, fawn, and caramel) and one yellow-beige hue for brightening. Each are rich and intensely pigmented but once blended out, they seamlessly melt into skin for a natural-looking sculpted finish.
E.L.F.’s SuperBrighten Peel Pads may not cost you much — and yet, they actually rival some of their more expensive competitors on the market. Formulated with alpha hydroxy acids (AHAs), citrus (from lemon peel oil and lemon fruit extract), and witch hazel, these exfoliating treatment pads work by gently buffing away excess dead skin, which, in turn, gives the appearance of a more radiant complexion.
Washing your makeup tools doesn’t have to be a chore. Keep the Solid Sponge Cleanser near your sink, so you remember to dip dirty brushes and sponges directly into it when they need a washing. (There’s something soothing about swirling them around the charcoal-infused disc.)
Along with pristine brushes, your skin will love that you’re cleaning your brushes with the detoxifying ingredient, as it’s been said to help prevent future breakouts. And let’s be real, we’ll take all the help we can get.
Not even E.L.F. is immune to the holographic makeup hype. These color-shifting powders may look petal pink and lilac in the pan, but when brushed onto cheekbones, they transform into a hot pink and sky blue.
Made with watermelon fruit extract (yum), glycerin, and castor oil, E.L.F.’s Jelly Pop Water Gel Moisturizer soothes redness and re-hydrates parched skin in one fell swoop. It’s also super-fast-absorbing, making it an especially great option for the summer months when we’re sweating more and tend to favor lighter products.
Available in eight different shade options, E.L.F.’s Bite Size Eye Shadow Palettes (as in the same ones that went viral on TikTok earlier this year) make creating a put-together eye look easy as pie. The quad shown here is “cream & sugar” and contains a combination of neutral-toned, shimmery and matte shadows that work on almost every skin tone. Plus, the formula of these shadows is über-opaque, yet also so easy to blend.
Allure editors aren’t the only ones obsessed with E.L.F.’s Moisturizing Lipstick in Velvet Rope — our readers are, too. Velvet Rope, which is a cherry red with a golden sheen, won a Readers’ Choice Award this year for its creamy, hydrating formula that lasts all day long.
Read our guide to the best glow-givers of the year yet? If so, then you already know E.L.F.’s best-selling Baked Highlighter made the cut.
Despite technically being a powder, its ultra-buttery, featherlight formula melts into the skin like it’s nothing and never looks cakey worn on top of foundation and concealer. It also contains skin-loving ingredients like vitamin E, jojoba, and apricot seed oils, which is a nice added bonus.
Blending eye shadow ain’t easy. The Beautifully Precise Eyeshadow Brush No. 201, which recently won a Best of Beauty Award, will do all the work for you with as little effort as possible. You can pack color onto your lids with the short, dense bristles before sweeping the fluffy ends over the edges to soften them in seconds.
With all the latest palettes packed with terracotta and peach shades, the E.L.F. Mad For Matte Holy Smokes Palette has a much-welcomed mix of both warm- and cool-toned hues. On the right side, you have a peachy cream, blue-toned gray, and more neutral shades for laying down a clean base. Or, of course, you can wear just one by itself for a more minimalist look.
On the left side, you have a gorgeous teal, sapphire blue, and soft black for making your smoky eye fantasies a reality. (Hence the name Holy Smokes.) You can make sure they are all blended well with the shades situated in the middle of the palette.
If you thought that interest in lipstick was in decline in the current climate (thank you, face masks), then think again. When make-up legend and British Vogue beauty editor-at-large, Pat McGrath, announced on Instagram that her brand Pat McGrath Labs was set to launch a one-off lipstick collaboration with fashion label Supreme, the hype generated was so off the scale, it threatened to break the internet.
With both halves of this particular partnership known for pushing boundaries, breaking rules, and creating sell-out collections, this limited-edition product is so much more than just another lipstick launch. It is something of a cultural phenomenon, that at this moment in time could be just the call to arms we need to pick up our lipstick bullets again following the Covid outbreak.
Dropping online on Supreme’s website on Thursday, the MatteTrance lipstick – in the signature bright-red shade, “Supreme” – is sure to sell out in the blink of an eye, so this is very much a case of act first, process later. Our sources suggest you should be on standby on the Supreme website from 5am GMT (midnight EST), and advise signing up to its mailing list when it becomes available.
Products: – MAKE UP FOR EVER Ultra HD foundation, cream concealer palette, powder eyeshadows, Smoky Lash mascara, Artist Rouge lipstick in Passion Red, Mist and Fix setting spray – M·A·C Cosmetics Studio Fix powders to set and bronze, Tan pigment – NYX Professional Makeup contour palette, Strobe Of Genius highlighter palette.
(Disclaimer: I do have Melissa’s consent to post her images on designated websites including Facebook, Instagram, WordPress, and use in my digital portfolio.)
The 21-year-old lipstick has been one of MAC’s best-selling lip colors since its debut. But the brand’s product developers never actually set outto create it; instead, they were trying to tweak the formula of the brand’s other well-known scarlet shade, Russian Red, which was the best-seller at the time. (Madonna wore it all throughout her Blond Ambition Tour in 1990, after all.)
“In the late ’90s, MAC made the decision to make all of our formulas globally compliant,” says Gregory Arlt, the company’s director of makeup artistry. “So if you were in Japan or Germany, and you wanted to buy Russian Red, it would be the same formula [across the board], as opposed to what’s compliant for each country.” With this reformulation came an ever-so-slight change to the texture, making Russian Red a little less matte and a little more comfortable to wear. “Fans revolted, saying they missed that ‘drag your lips off’ dry, matte feeling,” recalls Arlt, who has been with the brand since 1993. “So we quickly ran back to the labs,” he says, and MAC returned to Russian Red’s original formulation, never touching it again. Lesson learned.
However, during the initial reformulation process, the new, slightly less matte version of Russian Red caught the eye of the team. “When product development showed [then-Creative Director] James Gager and Jennifer Balbier (who’s still the senior vice president of global product development) the new shade, they were both like, ‘Oh my God, that’s an amazing color.’ And that’s how Ruby Woo was born. The product development team really tried to match Russian Red. It’s the same combination of pigments, just put into a different base,” says Arlt. “But it was a little brighter and more dynamic, and it just became a standalone color.”
Have you tried this color? What about Russian Red? Did you know about the history behind this iconic shade? Let me know all your thoughts in the comments below!