You will have spied Italian actor Sophia Loren in British Vogue’s April issue as part of the Hollywood Portfolio, which features 27 of the world’s biggest stars. Photographed looking as glamorous as she has always been, the 86-year-old silver-screen legend has long been a fan of a glamorous look and her attitude to beauty is refreshing. She once said:
“Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.”
Welcome to Artist Spotlight #45 series on my blog.
It only goes to show that Loren feels as good on the inside as she externally looks. Her penchant for Italian glamour has always been a whole beauty mood – it is timeless. There is the trademark feline flick and voluptuous eyelashes; the bold lipsticks, from red to pink; glamorous blow dries; and her bold eyebrows, expertly filled in. These are looks that many of us still imitate today and she is regularly name-checked backstage at fashion shows. Here, let’s take a look at some of her most show-stopping vintage beauty looks over the years.
Welcome to Artist Spotlight #43 series on my blog.
What do you love the most about your skin?
“I’m very grateful for my skin texture. I find that it’s smooth and I don’t get many bumps under the skin or enlarged pores.”
What one skin issue do you wish you could fix?
“I was silly as a young girl and spent far too much time in the sun without wearing enough protection, so I’m now paying the price, later in life, with pigmentation. Pigmentation is often impacted by genetic and hormonal factors, but taking care of your skin from an early age is definitely preventative – and we all know prevention is better than cure! I recently had a baby, and developed quite a bit of melasma. I’ve been treating it since his birth with a high concentration vitamin C serum, but I guess it’s a small price to pay for my little bubba.”
“Back when micellar water wasn’t the popular make-up remover it is now, I used to pick up Bioderma Micellar Water from pharmacies in Paris whenever I travelled there for work in the early days of my career. I used to use it on myself and keep it in my make-up kit as my go-to cleanser, and I still do today, although now it’s a lot easier to get hold of!”
“My busy lifestyle – especially with my new baby boy – doesn’t always afford me much time for self care, so when Sunday arrives, I do try to give my skin the attention it deserves. Whenever I can find a little extra time, whether it be on a Sunday or a stolen 20 minutes when my baby naps, I take a moment out to give myself a facial massage. I love the Chantecaille Advanced Bio Lifting+ Massage Tool, as I feel it really grips the contours of my face and is easy to use. It also feels great to massage out any areas of tension, especially my jaw, which is where I hold tension most. I’ll always take the tool down my neck afterwards just to ensure I’m helping to aid lymphatic drainage and get rid of all those toxins!”
“If I’m not using any tools, then when I apply my moisturiser I’ll take a moment to massage and gently pinch the skin, which helps to improve blood flow and give a brightening and plumping effect. I’m always pleasantly surprised at the immediate difference this extra bit of TLC makes to the texture and tone of my skin. Another tool that I swear by is the Face Sculpting Beauty Tool from Aliso Organic Beauty, which uses sonic vibration technology to simulate a facial massage to give you the same effect with minimal effort – it’s quite a beautiful tool in its simplicity.”
“As it’s been a long while since I’ve been able to have a salon facial, every few weeks I use the Meso Melt Infusion System from Sarah Chapman, which is a skin-rejuvenating microneedling tool. It helps to infuse all the beautiful ingredients from my favourite serums into my skin. It’s as close as you’ll get to a professional microneedling facial at home, and endlessly personalisable!”
At a time when mask-wearing is de rigueur, it’s no surprise that, where makeup is concerned, our attention has turned to enhancing the eyes. The distracting, spirit-lifting power of exploring new looks should not be underestimated, and from lashes to lids, and even temples, options abound.
Val Garland, makeup artist and Vogue contributing beauty editor, agrees. “Now the eye area has become our focus, it’s all about liner, lashes and brows,” she says, before singling out the graphic look of the 1960s. “Get your flick on, but switch the black and brown for navy or rich forest-green. Perfect your brows and flutter your lashes with mega volume – the strong nature of this makeup is what makes it so appealing.”
The Vogue archive holds a wealth of inspiration for looks to emulate, so here, for your delectation, is an illustrated retrospective highlighting creative expression through makeup. Look to those graphic ’60s looks, the abandon of the 1970s, the freewheeling freedom of the 1980s or the makeup magic of the modern day. This is your ultimate moodboard – and it’s a place where imagination knows no limits.
One of the earlier illustrative examples of eye makeup in Vogue, this now iconic image serves as a reminder to never forget the drama of a single sweep of colour.
Legendary makeup artist Barbara Daly created this heavenly look, applying frosted blue “halos” around the eyes to ethereal effect.
Influenced by the makeup of the 1970s, Pat McGrath, Vogue’s beauty editor-at-large, created this shimmering aquatic moment on model Adwoa Aboah for Edward Enninful’s inaugural edition as editor-in-chief.
Grace Coddington, now a British Vogue contributing fashion editor, stars as the muse for this portrait, which sees maxi lashes and exaggerated winged liner take centre stage (with hair by Christopher at Vidal Sassoon).
Get the look: layer up an excess ofGucci Mascara L’Obscur, £40, on both top and bottom lashes, tracing in extra lashes on the lower line for added drama.
Why not look to sequins and pearls to accessorise the lower lash line, like model Marika Green? Appliqué accents instantly prettify any makeup.
Coaxing out our best summer skin as temperatures rise isn’t always easy. We all have fantasies of buttery bronze, dewy (but not too dewy!) skin at this time of year, but in reality find ourselves closer to the flushed red or oily mark, and with all of our determinedly applied make-up long gone by lunchtime.
Whether it’s a Sophia Loren-esque olive, a J Lo glow, or a rich Rihanna bronze you’re after, this is your foolproof guide to nailing summer skin – courtesy of Chanel’s global creative make-up and colour designer, Lucia Pica, who says: “Summer skin is all about being more glowy and bronzy and sun-kissed – all of the stuff I love!”
Here, your six step guide to effortless summer make-up.
Prep the skin
Pre make-up, look to lightweight hydrating serums and lotions to ensure skin is primed and ready to go for the subsequent base formula. After cleaning skin (Shiseido’s Waso Smart Water cleans, hydrates and primes), apply U Beauty’s Resurfacing Compound, a one-stop shop for all skin’s needs thanks to its cocktail of antioxidants, vitamins C and E, and a rather pleasing tightening effect that allows make-up to go on seamlessly afterwards. For those who like something ultra hydrating, Guerlain’s Super Aqua Emulsion Light is a must-try, and brilliant for all skin types. Always finish with an SPF.
If you’re lacking a natural bronze glow, facial tanning has never been easier. James Read’s new Click & Glow Tan Drops deliver self-tan to the skin via a gel formula that’s designed to be added into your SPF or moisturiser – it also contains hyaluronic acid, soothing aloe vera and vitamin C to boot. Meanwhile, Isle of Paradise’s Hyglo Self-Tan Serum is also packed with hyaluronic acid and gradually tans skin, leaving it looking healthy and plump. And finally, Sisley’s Self Tanning Hydrating Facial Skincare is a lightweight, non-comedogenic cream that leaves skin both supple and protected against the environment.
“For me, summer (and even winter) skin is about transparency,” says Pica. “That’s why Chanel’s L’Eau de Teint is my foundation. It’s excellent because it’s got this way of making everything really uniform and homogenous, but you still see your skin through it.” Beautiful, fresh-looking skin shouldn’t look like it has anything on it, Pica says, and formulas should just be used to cover what needs to be covered, rather than the entire face. Look to disguise any redness, uneven skin tone or blemishes, but leave your natural skin texture to shine through wherever possible. L’Eau de Teint is excellent and offers a fresh, dewy glow for all skin tones, blurring imperfections and staying put for hours. Plus, its watery, serum-like formula means it feels comfortable on even the oiliest of skin types. Pica also recommends using concealer on the areas that might need extra coverage – try Stila’s Pixel Perfect Concealer.
Bronze and blush
Advocating the use of lots of different textures to mimic real skin, Pica’s next tip is to deploy bronzer and blush where it’s needed. Take your cues from Bella Hadid’s recent Instagram post – in which her bronzer is expertly applied in a ‘W’ shape over the cheekbones and nose – and use either powder or cream formulas, buffing them seamlessly into skin. Chanel’s Soleil Tan Bronze Universel is a Vogue beauty team favourite thanks to its natural finish, while Anastasia Beverly Hills Powder Bronzer offers a good range of shades for all skin tones. Once bronzed, it’s time for blush. “When you’re bronzed, you still have that element of red skin coming through,” says Pica. “Yes, you get a little bit tanned and your skin starts to get darker, but you still have that redness from the first sun, and I love that redness.” To imitate that fresh-from-the-beach flush, she likes to apply a creamy blush either high on the cheekbones and lightly over the bridge of the nose, or on the apples of cheeks. Try Westman Atelier’s Baby Cheeks Blush Stick or Bobbi Brown’s Pot Rouge For Lips & Cheeks.
For an extra hit of glow, avoid powdery highlighters in favour of liquid ones, which are better placed to melt into skin seamlessly. “I would blend it in like a foundation to create a nice veil of glow,” says Pica, who recommends Chanel’s new Les Beiges Healthy Glow Sheer Highlighting Fluid for the job. “Again, everything has to become part of the skin for me – you don’t want anything that feels like it’s sitting on top, it doesn’t give you that natural effect of the summer glow. It’s a bit too fake looking. You have to look like you’ve just been in the sun, and magically, you’re shining.” Another brilliant liquid option is Marc Jacobs’ Glow Away Dewy Coconut Face Luminizer.
Freckles are a go
To really up the ante on the sun-kissed look, look no further than a smattering of (faux) freckles across the nose and cheeks – as per Emily Ratajkowski who is partial to dotting some on herself. “I love that fresh, ingenue type of skin, and I think freckles are a good way to make any make-up look fresh and modern,” says Pica. Freck’s XL Faux Freckle Cosmetics are excellent – just dot on haphazardly and leave to dry. Other alternatives are Colourpop’s Freckle Pen & Lime Crime Freckle Pen.
Kevyn Aucoin was a makeup artist decades ahead of his time. Long before the age of Instagram, the late legend furiously—and intimately—documented his life and career, recording it all with a Polaroid camera or VHS camcorder glued to one of his famously large hands, as well as in his precious collection of scrapbook-style journals, which haven’t been seen publicly until now.
The Makeup Museum unveiled a vast, never-before-seen digital archive of the journals that Aucoin, widely considered the world’s first celebrity makeup artist, kept between 1983 to 1994. They document his Hollywood rolodex (Hello, Tina and Liza!), meetings with all-star collaborators and supermodel confidantes (Cindy, Linda, and Paulina…to name a few), and candid Polaroids snapped on iconic photoshoot sets, from Vogue editorials with Irving Penn to a Chanel campaign with Claudia Schiffer. Altogether, Aucoin’s personal notebooks offer a raw and authentic look into his day to day, the hustle and glamour of it.
“Kevyn was pioneering because he was the first makeup artist to ‘pull back the curtain’ and allow anyone who was even remotely interested in the world of beauty to see behind the scenes,” explains makeup artist Troy Surratt, who was a protégé of Aucoin’s. “He invited everyone to come along with him to catch a glimpse of what was an elusive and exclusive world.” Longstanding proof of this is cemented in his 1997 book Making Faces, which is widely considered “the bible” by new and seasoned makeup artists alike, and has even seen renewed interest from pros in quarantine.
Celebrity makeup artist and cofounder of the Makeup Museum Rachel Goodwin calls Aucoin her “makeup Fairy Godfather” and believes that he not only forged new territory for makeup artists, but new notoriety for the industry (now a billion-dollar behemoth on a rapid upward trajectory). “He was one of the first to bring makeup artistry into mainstream consciousness as a viable profession,” explains Goodwin. “Before Kevyn, there was a lot of secrecy around what we do. [He] gave our craft credibility, he legitimized it.” Moreover, Aucoin’s tale of drive, passion, and perseverance is one that continues to inspire—and his journals evocatively telegraph his personal evolution, from major milestones to personal mementos, such as his backstage pass to the 1994 Oscars or ticket to a Barbra Streisand concert at Madison Square Garden. “They are full of his energy and excitement and unbridled reverence for beauty,” explains Goodwin. “They tell a story of a boy from rural Louisiana whose dream was coming true in real-time. There are so many pinch-me moments in the pages and the way he documented them, it was almost as if he couldn’t believe what was happening to him either.”
A hero to many lost too soon, Aucoin lives on through his work, as well as a personal analog archive that is surely offering something novel to a new generation that taps and uploads as opposed to cutting and pasting. “The journals were created to live on…they are not as ephemeral or fleeting as an Instagram post,” says Surratt. “They are tangible and tactile, the spirit of Kevyn is imbued in the pages.”
Below, see an exclusive preview of the Makeup Museum’s digital archive of Aucoin’s journals.
Parisian makeup artist Violette’s top secret for how to apply foundation? Execute it without a trace. “I want people to say, ‘Oh my god, your skin looks amazing!’ not, ‘Your foundation is so great,'” she explains. And while finding the perfect formula is half the battle, once you have it, making like Houdini and ensuring it vanishes into your complexion is just as crucial. Here, three in-demand makeup artists share their fine-tuned tips for how to apply foundation and achieve that ever-elusive, second-skin finish.
Create a Glowing Canvas
Clean and moisturized skin is a no-brainer, but to really supercharge your glow, begin with a hydrating mask and follow it up with a lymphatic facial massage. When makeup artist Nina Park works with clients such as Zoë Kravitz and Bella Hadid, she begins with a sheet mask specifically targeted to their skin type, with ingredients such as rose to combat oiliness, aloe to treat dryness, and green tea to soothe inflammation. After masking, gently massage your moisturizer into the skin to boost circulation and reduce puffiness. “It creates a natural flush that makes the face look more awake,” says makeup artist Kira Nasrat, who helps give Jessica Alba that perpetually luminous complexion.
Prime as Needed
To prime or not to prime? It’s an eternal question for amateurs and pros alike. While Violette typically skips the extra base step in the interest of using as little product as possible, when applied correctly, it can prolong foundation for all-day wear. “I use an anti-shine primer for hotspots like the forehead, hairline, sides of nose, and around the mouth, and then a sheer, illuminating one for the tops of the cheekbones,” explains Park, adding that she applies each with her fingertips.
Only apply foundation where it’s really necessary, insists Violette, who counts Estée Lauder Futurist Hydra Rescue Moisturizing Foundation with SPF 45 among her favorites. “Start in the center of the face, on the apples of the cheeks, and slowly blend out,” she instructs, adding that another key part of the face is the area around the mouth, which is prone to yellow undertones and shadows. To ensure the foundation looks as natural as possible, Violette often skips the bridge of the nose—letting freckles show through for those who have them—and the corners of the nostrils, so the pigment doesn’t cling to dry patches.
Don’t Paint, Buff
No matter what tool you’re using—a foundation brush, a BeautyBlender, or your fingers—buff (or bounce, if you’re using a sponge) the foundation into your skin as opposed to “painting” it on to build coverage smoothly and avoid streakiness, says Park.
Strobe Wherever the Sun Hits
For dimension, blend highlighter into the high planes of the face that catch light naturally, such as the cheekbones, temples, and Cupid’s bow. “I’m not a fan of powder highlighters because it looks a bit fake to me,” says Violette. “Creamy balm textures will give you a dewiness as if you’re not wearing any products.”
Blot, Then Set
First, sop up excess oil with blotting papers. Then, look to a featherweight translucent powder to seal in foundation and prevent unwanted sheen. “Use a brush to apply it very lightly and only to the areas that get the most shiny,” says Nasrat, adding that the leftover luster is what will really drive home that second-skin guise. Silky smooth and even-toned, with just the right amount of lit-from-within dewiness, that’show you execute believably perfect skin.
Chrissy Teigen is here to give the people what they want: her cultivated, and clearly effective, skincare regimen. After posting a video featuring husband John Legend, a pull of tangerine eyeliner, and a glowing complexion on Instagram yesterday, Teigen took note of the ample comments requesting (read: demanding) the secret to her luminous skin.
“For you kind folks asking me to drop the skincare regimen, I will admit I am def proud of my skin lately and feeling myself!” Teigen’s caption began on a subsequent post, again showcasing her bright eye makeup moment, which, as her video commentary notes, she is also feeling. Next came a laundry list of favorite products, from La Mer’s cultish Concentrate to Dr. Dennis Gross’s Alpha Beta Extra Strength Daily Peel pads. Teigen wrapped up her share with a welcome caveat for those tempted to channel her routine: her love for iS Clinical’s products is her only constant, and everything else is simply skincare frosting. With the summer sun high in the sky, there’s no time like the present to ensure skin is equally lit. You can thank Teigen for the jumping-off point.
In the 1980s and 90s, Kevyn Aucoin was responsible for the history-making looks of celebrities such as Whitney Houston, Cher, Madonna, Cindy Crawford, and Naomi Campbell. Welcome to Artist Spotlight #1 series on my blog.
He published a number of books throughout his career, two of which are the most popular: Making Faces and Face Forward. These books are widely introduced to makeup artists as the basics for every step of makeup application; focusing on enhancing the natural beauty of individuals, as well as a lot of tips on sculpting, eyeshadow techniques, and more. Personally, I find myself reading through these books over and over again all the time – they’re very informative and the sketches and images are breathtaking.
Kevyn Aucoin had his first Vogue shoot opportunity in the 1980s, which skyrocketed his career exponentially in the next two decades. He started his own makeup line Kevyn Aucoin Beauty in 2001, which still exists and has many industry staple products. He focused on every detail possible in his products and wanted to deliver his passion for makeup and beauty to his audience. His legacy will continue to live on, after his death in 2002.
Many following makeup artists strived to achieve his level of success, but few came close. His dedication and an innovative mind were a force to be reckoned with, every time delivering jaw-dropping looks with unprecedented techniques. It’s safe to say he’s one of the few that shaped the beauty sphere we all know today.